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“Heart of the Sea” – Spray Paint on Canvas by Me…

Wonderful midnight blues!

Ray Ferrer - Emotion on Canvas

As Ray deals with the hard news of a baseball sized brain tumor, I, his wife, am adding some of his works for public availability / purchase to offset some of the expenses and costs of his costly procedures.

His latest….
“Heart of the Sea”
Original was spray paint on canvas.

Prints now available of this and they are signed and ready to frame.

If you would like to order anything from his Etsy shop that would be a huge help to us right now to offset some expenses. You can use Coupon Code ART50 during check out to save 50%.
https://www.etsy.com/shop/UrbanWallArt

Ferrer - Heart of Sea

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Don’t Spread Your Love Too Thin

Drew Chial

Sometimes a writer doesn't have enough love to go around. Sometimes a writer doesn’t have enough love to go around.

The Flash Fiction Fling

A writer who flirts with several forms of writing at the same time is in a polyamorous relationship with each of them.

Flash fiction has no delusions about its role in the relationship. It knows the wordsmith is just looking for a ‘one write stand,’ a moment of passion in a micro medium. Flash fiction doesn’t mind when a writer forgoes first act foreplay and dives right into the action. It isn’t surprised by the premature punctuation before a resolution. It knows that once its 300 words are up the writer will be on to the next one. Wham bam publish ma’am.

The Short Story Shrug Off

A short story might get a little more optimistic, surprising the writer with new ideas the moment they were going to call it quits. The short story plays with…

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People Talking

If only!!!

Write Through It

People talking. Dialogue. Here’s what the American Heritage Dictionary (online) has to say about it:

1. a. A conversation between two or more people. b. A discussion of positions or beliefs, especially between groups to resolve a disagreement.
2. a. Conversation between characters in a drama or narrative. b. The lines or passages in a script that are intended to be spoken.

Here we’re mainly concerned with #2, but as you’ll see, #1 is also important, especially #1a.

Writers of technical and scholarly material may not have to bother with dialogue. They can write papers and whole books in which people don’t talk to each other. For fiction writers, memoirists, and writers of nonfiction of a more personal kind, dialogue is almost indispensable. It also comes in handy for journalists and academics who incorporate interviews with real people into their work. They don’t make the dialogue up, but it takes skill…

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